A comparative study of Sydney Carton in Dickens A Tale of Two Cities :: GCSE English Literature Coursework

A comparative study of Sydney carton in demon novel, A Tale of Two Cities, and Romeo Montague and Juliet Capulet in Shakespeares play, Romeo and Juliet, requires the reader to go bad various aspects that the transforming effect do can have on a personality. As we study each character, it is relatively easy to see that no matter how painful love can be, it is usually to bingles betterment to have experienced it. Love affects each person differently. well-nigh become more introspective, searching to better themselves for the sake of themselves or another. Others do not recognize what they are lacking in their lives until they find love. In either event, it permanently redirects the course of ones life. Or causes one to end it in some cases. We see that all three characters evolve to love themselves better, to love others anew and in the end, make the ultimate gift for their love for another.Point A     Both authors beautify well, that a lack of love can hav e a expectant effect on the behavior of a person. Whether a person has never experienced love by fortune or by design, the sign introduction of love into the personality can be intense. Dickens introduces Sydney Carton to us immediately after a trial, speaking to his client. It is at this time period that we get a glimpse of the character of Carton, "who smelled of port wine, and did not await to be quite sober" (Dickens, 100). Carton is so disillusioned with his protest life, that he cant even give care his client who looks like him, "Do you particularly like the man? He muttered, at his testify image why should you particularly like a man who resembles you? at that place is nothing in you to like" (Dickens 103). Romeo Montague is no less desultory, but youthfulness is his excuse, while alcohol and lifelong disappointment are Cartons. Shakespeare has friar Lawrence state about Romeos multiple infatuations, "Young mens love then lies not truly in their h earts, but in their look" (1.3.67-68). Having not experienced life yet, Romeo does not yet understand the spirit of love. He still sees it as a physical reaction, rather than emotional, "For beauty, famished with her severity / cuts beauty off from all prosperity" (1.1.227-228). Juliet is so unfledged and unskilled in the ways of love, that she shares her youthful desperation with her nurse, "Go take on his name if he is married / my grave is like to be my spousals bed" (1.